Aphroli Nº02 · box V6

Black magnetic wrap with the label's own Art Nouveau frame embossed in gold around a label-shaped window; white two-piece box; black velvet bed; gold Aphrodite illustration inside the wrap. Tap any image for full size.

Consistency fix · proof (pure 3D render, no AI redraw)

Left: the AI photo. Right: the same box rendered photo-real straight from the 3D model. The AI redraws the box in every shot (emboss, window, framing drift); the render is identical in every shot by construction. Still being refined (materials, light).

EXACT 3D RENDERS · V1+ and R5b (no AI redraw)

Rendered straight from the 3D model: the box, window and emboss are identical in every shot by construction (window 21 mm from each side, emboss exactly where the print file puts it). Look still being refined (light, gold, paper).

PRODUCTION · V1+ Venus shell

The emboss now rolls over the long edges and fades out ~9 mm down both side walls, above the gold wordmark. Every shot where the front shows, rebuilt with the geometry locked to the 3D model: same box proportions, same window position, same emboss placement in every shot (checked against a guide render per camera). Opening and interior shots are shared (below).

PRODUCTION · R5b rings in a double swell

Every shot where the front shows, rebuilt with the geometry locked to the 3D model: same box proportions, same window position, same emboss placement in every shot (checked against a guide render per camera). Opening and interior shots are shared (below).

PRODUCTION · shared opening + interior shots (same for both designs)

Once the magnets release, the wrap lies inner face up, so the front emboss is not visible: these shots are identical for V1+ and R5b.

Round 7 · the original Venus shell, longer above the window

Exactly the original V1 (same shape, same rise out of nothing below the window), with one change: the ribs above the window are longer and stronger. Original on the left for comparison.

Round 6 · Venus shell fade-up + R4 / R5 developed

The shell is back to the version you liked (rising out of nothing below the window), now with long ribs that run toward the top and taper away instead of ending abruptly. R4 and R5 pushed further. Codes on the photos.

Round 6 · S1 Swell: angles + editorial

S1 from every side: overhead, a raking close-up of the relief, and three editorial scenes.

Round 6 · S2 Swell onto the side: angles + editorial

S2 from every side.

Round 5 · your favourites, perfected (pick by number)

The Venus shell first: three refined versions (crisp scalloped edge that no longer fades out, rounded lobes, a soft hinge, gently domed). Then your other favourites, each perfected. Blind emboss, black on black, numbers printed on the photos.

Round 4 · brand-symbol emboss (pick by number)

From the research: the best houses use ONE tactile signature, not a pattern (Jo Malone blind-debosses only its mark; Guerlain embosses only its honeycomb; Nina Ricci Venus puts one scallop shell in two-level emboss). So each option is one Aphrodite symbol, blind embossed, black on black: V1 the Venus shell, V2 sea foam (aphros, the foam she was born from), V3 one Art Nouveau whiplash line from the label, V4 a cameo setting for the window. Numbers are printed on the photos.

Round 3 · ripple + swell family (for reference)

Earlier options, numbered on the photos.

Editorial

Campaign-style scenes of the whole kit, each built on the same 3D model (true bottle-to-box scale) and then shot on its own set.

The box

One fixed size in every shot: 84 x 118 x 34 mm, snug around the bottle (4 mm of velvet at each end, no dead space). The window and the lid cut-out follow the label outline, 1 mm inside its edge (42 x 52 mm). The wrap sits flush on the box (the magnets are thin discs embedded under the paper). Every shot is built on one exact 3D model and checked against it.

Interior + macros

The interior illustration is one flat artwork, mapped into the 3D model so it is the same in every shot. Then close-ups.