← Back to the selected 15

All 102 scores. Every reason.

Visual review of every existing master. Overall = hook 30% + visual execution 40% + product bridge 30%. These are producer judgments before spend, not measured performance or a blind audit.

The shortlist balances five concepts and preserves the requested Hair Diary studies. It is not simply the top 15 numbers. Fictional review designs score lower on the product bridge because their outcomes and buyer badges are not customer evidence.

Download full scoring data + previous scores · Unchanged original board

ImageCreativeScoreAssessment
Wash day. Dread day.A2A1-45
Wash day. Dread day.
4:5 · SELECTED
8.6
H 9.0
V 8.7
P 8.0
Brush full of hair makes the wash-day dread immediate. Visible Wonder bottle and yellow emphasis lead naturally to the oval CTA.
GROWING IT OUT. WATCHING IT SNAP.A1A1-45
GROWING IT OUT. WATCHING IT SNAP.
4:5 · SELECTED
8.5
H 9.0
V 8.4
P 8.0
Strong grow-out/snap tension; original close-up and bottle, one purposeful underline and a clear red oval CTA.
Wash day. Dread day.A2A1-916
Wash day. Dread day.
9:16 · SELECTED
8.5
H 9.0
V 8.5
P 8.0
Brush full of hair makes the wash-day dread immediate. Visible Wonder bottle and yellow emphasis lead naturally to the oval CTA. Tall composition preserves the same hierarchy.
GROWING IT OUT. WATCHING IT SNAP.A1A1-916
GROWING IT OUT. WATCHING IT SNAP.
9:16 · SELECTED
8.4
H 9.0
V 8.3
P 8.0
Strong grow-out/snap tension; original close-up and bottle, one purposeful underline and a clear red oval CTA. Tall composition preserves the same hierarchy.
Wash day. Dread day.W41-45
Wash day. Dread day.
4:5 · Archive
8.4
H 9.0
V 8.6
P 7.4
Excellent original brush-and-bottle pain object and yellow emphasis. Small plain Explore Wonder CTA is weaker than the selected A2A1 oval treatment.
Wash day. Dread day.W41-916
Wash day. Dread day.
9:16 · Archive
8.3
H 9.0
V 8.4
P 7.4
Excellent original brush-and-bottle pain object and yellow emphasis. Small plain Explore Wonder CTA is weaker than the selected A2A1 oval treatment. Tall composition preserves the same hierarchy.
Growing it out. Watching it snap.W42-916
Growing it out. Watching it snap.
9:16 · Archive
8.3
H 9.0
V 8.4
P 7.4
Original SNAP close-up and single underline remain strong. Feed lacks a clear CTA; selected A1A1 retains the scene with the requested oval. Tall: Plain Discover Wonder improves direction but has less presence than A1A1.
DRY ENDS. MEET RICH OIL.O1-45
DRY ENDS. MEET RICH OIL.
4:5 · SELECTED
8.2
H 8.0
V 8.4
P 8.0
Dry ends meets a clear oil-in-palm demonstration with the bottle visible. Warm photo and peach serif hierarchy work together.
Worried it’ll feel heavy? Start with a few.A5A3-45
Worried it’ll feel heavy? Start with a few.
4:5 · SELECTED
8.1
H 8.0
V 8.0
P 8.2
Heavy-feel hesitation plus a few drops gives the hand demonstration a reason to exist. Clear product and oval CTA.
Growing it out. Watching it snap.W42-45
Growing it out. Watching it snap.
4:5 · Archive
8.1
H 9.0
V 8.5
P 6.6
Original SNAP close-up and single underline remain strong. Feed lacks a clear CTA; selected A1A1 retains the scene with the requested oval.
Wanting your old hair back isn’t vanity.W44-45
Wanting your old hair back isn’t vanity.
4:5 · SELECTED
8.1
H 8.3
V 8.4
P 7.5
Old-hair identity tension is sympathetic and specific. Plum serif/sans contrast, one underline and a visible bottle form a coherent original composition.
ALL THAT LENGTH. ROUGH ENDS.A1A2-45
ALL THAT LENGTH. ROUGH ENDS.
4:5 · Archive
8.0
H 7.8
V 8.2
P 7.8
Tangible rough-ends hook and clear bottle; repeats A1A1 photography with a less forceful headline.
DRY, FRAYED ENDS? Give them rich care.A1B2-45
DRY, FRAYED ENDS? Give them rich care.
4:5 · SELECTED
8.0
H 8.0
V 8.1
P 7.8
Direct dry/frayed-ends recognition; cream emphasis and plum serif work with the care action. Bottle is small.
Worried it’ll feel heavy? Start with a few.A5A3-916
Worried it’ll feel heavy? Start with a few.
9:16 · SELECTED
8.0
H 8.0
V 7.8
P 8.2
Heavy-feel hesitation plus a few drops gives the hand demonstration a reason to exist. Clear product and oval CTA. Tall composition preserves the same hierarchy.
ANOTHER TRIM. THE SAME LENGTH.B2-45
ANOTHER TRIM. THE SAME LENGTH.
4:5 · SELECTED
8.0
H 8.7
V 8.0
P 7.2
Another trim/same length captures a distinct lived frustration. Peach editorial framing and mirror photo have a clean hierarchy; no bottle.
DRY ENDS. MEET RICH OIL.O1-916
DRY ENDS. MEET RICH OIL.
9:16 · SELECTED
8.0
H 8.0
V 8.0
P 8.0
Dry ends meets a clear oil-in-palm demonstration with the bottle visible. Warm photo and peach serif hierarchy work together. Tall: Top and bottom margins are more generous, but the droplet remains clear.
Wanting your old hair back isn’t vanity.W44-916
Wanting your old hair back isn’t vanity.
9:16 · SELECTED
8.0
H 8.3
V 8.1
P 7.4
Old-hair identity tension is sympathetic and specific. Plum serif/sans contrast, one underline and a visible bottle form a coherent original composition. Tall: More wall space and smaller bottle reduce immediacy slightly.
ALL THAT LENGTH. ROUGH ENDS.A1A2-916
ALL THAT LENGTH. ROUGH ENDS.
9:16 · Archive
7.9
H 7.8
V 8.0
P 7.8
Tangible rough-ends hook and clear bottle; repeats A1A1 photography with a less forceful headline. Tall composition preserves the same hierarchy.
DRY, FRAYED ENDS? Give them rich care.A1B2-916
DRY, FRAYED ENDS? Give them rich care.
9:16 · SELECTED
7.9
H 8.0
V 8.0
P 7.8
Direct dry/frayed-ends recognition; cream emphasis and plum serif work with the care action. Bottle is small. Tall composition preserves the same hierarchy.
That hairbrush pause.A2A2-45
That hairbrush pause.
4:5 · Archive
7.9
H 7.8
V 8.1
P 7.7
Recognizable brush pause but less emotional than Dread Day; same excellent brush-and-bottle photo.
Another wash. That same worry.A2A3-45
Another wash. That same worry.
4:5 · Archive
7.9
H 8.0
V 7.8
P 7.8
Repeat-wash worry is clear, but the longer highlighted line presses toward the frame edge.
WASHED. CONDITIONED. Still dry at the ends?A3B2-45
WASHED. CONDITIONED. Still dry at the ends?
4:5 · SELECTED
7.9
H 8.0
V 7.7
P 7.9
Washed and conditioned yet still dry names a specific failed routine. Product and comb are clear; headline needs more scale.
WORRIED ABOUT Too much oil?A5A1-45
WORRIED ABOUT Too much oil?
4:5 · Archive
7.9
H 7.8
V 8.0
P 8.0
Amount hesitation is relevant and the palm/dropper demonstration makes it concrete.
WORRIED ABOUT Too much oil?A5A1-916
WORRIED ABOUT Too much oil?
9:16 · Archive
7.9
H 7.8
V 7.8
P 8.0
Amount hesitation is relevant and the palm/dropper demonstration makes it concrete. Tall composition preserves the same hierarchy.
WASH DAY. DREAD DAY.H1-916
WASH DAY. DREAD DAY.
9:16 · Archive
7.9
H 9.0
V 8.3
P 6.3
Brush full of hair makes Dread Day strong. Lime on dark photography reads well; missing product reduces the connection to Wonder. Tall composition preserves the same hierarchy.
THAT’S A LOT TO LEAVE BEHIND.H2-45
THAT’S A LOT TO LEAVE BEHIND.
4:5 · SELECTED
7.9
H 8.5
V 8.1
P 7.1
Hair left in the brush and bedding setting feel immediate and personal. Mint editorial treatment provides variety; product is only named.
That hairbrush pause.A2A2-916
That hairbrush pause.
9:16 · Archive
7.8
H 7.8
V 7.9
P 7.7
Recognizable brush pause but less emotional than Dread Day; same excellent brush-and-bottle photo. Tall composition preserves the same hierarchy.
Another wash. That same worry.A2A3-916
Another wash. That same worry.
9:16 · Archive
7.8
H 8.0
V 7.7
P 7.8
Repeat-wash worry is clear, but the longer highlighted line presses toward the frame edge. Tall composition preserves the same hierarchy.
WASH-DAY WORRY?A2B1-45
WASH-DAY WORRY?
4:5 · SELECTED
7.8
H 7.8
V 7.8
P 7.7
Blue and yellow hierarchy, visible bottle and human scalp-care action add variety. Her relaxed expression softens the worry hook.
Note to self. Care for my dry ends.A4B1-45
Note to self. Care for my dry ends.
4:5 · SELECTED
7.8
H 7.5
V 8.1
P 7.7
The note-to-self card feels intentional, with lavender texture and visible product. A softer reminder rather than a hard pain hook.
Note to self. Care for my dry ends.A4B1-916
Note to self. Care for my dry ends.
9:16 · SELECTED
7.8
H 7.5
V 8.0
P 7.7
The note-to-self card feels intentional, with lavender texture and visible product. A softer reminder rather than a hard pain hook. Tall composition preserves the same hierarchy.
WASH DAY. DREAD DAY.H1-45
WASH DAY. DREAD DAY.
4:5 · Archive
7.8
H 9.0
V 8.1
P 6.3
Brush full of hair makes Dread Day strong. Lime on dark photography reads well; missing product reduces the connection to Wonder.
Another bottle. Another broken promise?W43-45
Another bottle. Another broken promise?
4:5 · Archive
7.8
H 7.8
V 8.0
P 7.7
Strong bottle and single-ingredient support; the failed-promise hook is useful. Plain CTA blends into the support instead of finishing the hierarchy.
Another bottle. Another broken promise?W43-916
Another bottle. Another broken promise?
9:16 · Archive
7.8
H 7.8
V 7.8
P 7.7
Strong bottle and single-ingredient support; the failed-promise hook is useful. Plain CTA blends into the support instead of finishing the hierarchy. Tall composition preserves the same hierarchy.
GROWING IT OUT? Start at the ends.A1B1-45
GROWING IT OUT? Start at the ends.
4:5 · Archive
7.7
H 7.6
V 7.8
P 7.8
Useful ends-first instruction and soft bedroom palette; less urgent than the frayed-ends alternative.
GROWING IT OUT? Start at the ends.A1B1-916
GROWING IT OUT? Start at the ends.
9:16 · Archive
7.7
H 7.6
V 7.7
P 7.8
Useful ends-first instruction and soft bedroom palette; less urgent than the frayed-ends alternative. Tall composition preserves the same hierarchy.
WASH-DAY WORRY?A2B1-916
WASH-DAY WORRY?
9:16 · SELECTED
7.7
H 7.8
V 7.6
P 7.7
Blue and yellow hierarchy, visible bottle and human scalp-care action add variety. Her relaxed expression softens the worry hook. Tall composition preserves the same hierarchy.
WASHED. CONDITIONED. Still dry at the ends?A3B2-916
WASHED. CONDITIONED. Still dry at the ends?
9:16 · SELECTED
7.7
H 8.0
V 7.3
P 7.9
Washed and conditioned yet still dry names a specific failed routine. Product and comb are clear; headline needs more scale. Tall composition preserves the same hierarchy.
ANOTHER TRIM. THE SAME LENGTH.B2-916
ANOTHER TRIM. THE SAME LENGTH.
9:16 · SELECTED
7.7
H 8.7
V 7.5
P 7.0
Another trim/same length captures a distinct lived frustration. Peach editorial framing and mirror photo have a clean hierarchy; no bottle. Tall: Support and CTA are closer together and less easy to separate.
THAT’S A LOT TO LEAVE BEHIND.H2-916
THAT’S A LOT TO LEAVE BEHIND.
9:16 · SELECTED
7.7
H 8.5
V 7.7
P 7.0
Hair left in the brush and bedding setting feel immediate and personal. Mint editorial treatment provides variety; product is only named. Tall: Support and CTA tighten at the bottom.
ROUGH ENDS? Give them rich care.A3B1-45
ROUGH ENDS? Give them rich care.
4:5 · Archive
7.6
H 7.3
V 7.7
P 7.7
Attractive sage product-and-hand composition; small type limits stopping power.
YOUR SCALP GETS SKIPPED.O3-45
YOUR SCALP GETS SKIPPED.
4:5 · SELECTED
7.6
H 7.3
V 8.0
P 7.3
Close-up scalp application explains a care step clearly. Skipped scalp is softer tension and no bottle is visible.
IT’S NOT “JUST HAIR.”I2-45
IT’S NOT “JUST HAIR.”
4:5 · Archive
7.6
H 8.1
V 8.0
P 6.6
Purple editorial frame and woman holding an old photo make the loss of familiar hair understandable. No bottle or demonstrated care step.
RICH OIL. How much?A5A2-45
RICH OIL. How much?
4:5 · Archive
7.5
H 6.9
V 7.8
P 7.6
How much is useful but lacks the heavy-feel objection that makes this demonstration persuasive.
BEFORE ANOTHER PROMISE, READ THE BOTTLE.A5B1-45
BEFORE ANOTHER PROMISE, READ THE BOTTLE.
4:5 · Archive
7.5
H 7.2
V 7.8
P 7.3
Failed-promise curiosity and readable bottle, but ingredient transparency alone does not close the hair-care argument.
GROWING IT OUT. WATCHING IT SNAP.B1-45
GROWING IT OUT. WATCHING IT SNAP.
4:5 · Archive
7.5
H 9.0
V 6.8
P 6.8
Powerful SNAP hook and natural ends close-up, but the heavy gradient and text over the face reduce visual quality. A1A1 is the stronger execution.
GROWING IT OUT. WATCHING IT SNAP.B1-916
GROWING IT OUT. WATCHING IT SNAP.
9:16 · Archive
7.5
H 9.0
V 7.0
P 6.8
Powerful SNAP hook and natural ends close-up, but the heavy gradient and text over the face reduce visual quality. A1A1 is the stronger execution. Tall composition preserves the same hierarchy.
ROUGH AFTER EVERY WASH?O2-45
ROUGH AFTER EVERY WASH?
4:5 · Archive
7.5
H 8.0
V 7.3
P 7.3
After-every-wash roughness is specific; dense gradient makes the otherwise useful hands-on-ends photo heavy.
YOUR SCALP GETS SKIPPED.O3-916
YOUR SCALP GETS SKIPPED.
9:16 · SELECTED
7.5
H 7.3
V 7.8
P 7.3
Close-up scalp application explains a care step clearly. Skipped scalp is softer tension and no bottle is visible. Tall composition preserves the same hierarchy.
IT’S NOT “JUST HAIR.”I2-916
IT’S NOT “JUST HAIR.”
9:16 · Archive
7.5
H 8.1
V 7.8
P 6.5
Purple editorial frame and woman holding an old photo make the loss of familiar hair understandable. No bottle or demonstrated care step. Tall: Large top and bottom margins dilute immediacy.
THAT POST-WASH BRUSH CHECK.A2B2-45
THAT POST-WASH BRUSH CHECK.
4:5 · Archive
7.4
H 7.2
V 7.6
P 7.3
Names a brush check but shows scalp massage; the action does not illustrate the headline closely enough.
ROUGH ENDS? Give them rich care.A3B1-916
ROUGH ENDS? Give them rich care.
9:16 · Archive
7.4
H 7.3
V 7.3
P 7.7
Attractive sage product-and-hand composition; small type limits stopping power. Tall composition preserves the same hierarchy.
THE LAST FEW INCHES. Still feeling rough?A3B3-45
THE LAST FEW INCHES. Still feeling rough?
4:5 · Archive
7.4
H 7.5
V 7.3
P 7.6
Last few inches gives a clear location, but the restrained text is easy to pass over.
RICH OIL. How much?A5A2-916
RICH OIL. How much?
9:16 · Archive
7.4
H 6.9
V 7.6
P 7.6
How much is useful but lacks the heavy-feel objection that makes this demonstration persuasive. Tall composition preserves the same hierarchy.
BEFORE ANOTHER PROMISE, READ THE BOTTLE.A5B1-916
BEFORE ANOTHER PROMISE, READ THE BOTTLE.
9:16 · Archive
7.4
H 7.2
V 7.6
P 7.3
Failed-promise curiosity and readable bottle, but ingredient transparency alone does not close the hair-care argument. Tall composition preserves the same hierarchy.
FINALLY. GROWING IT OUT.R1-45
FINALLY. GROWING IT OUT.
4:5 · SELECTED
7.4
H 8.7
V 8.5
P 4.5
Strong short-to-long diary story, different-day wardrobe and pink review hierarchy. Fictional design study: buyer identity, verification and outcome are not customer evidence; no product photo.
I MISS MY OLD PONYTAIL.I1-916
I MISS MY OLD PONYTAIL.
9:16 · Archive
7.4
H 8.2
V 7.6
P 6.4
Missing the old ponytail is emotionally clear; dark overlay and absent bottle weaken the path from hair identity to care. Tall composition preserves the same hierarchy.
THAT POST-WASH BRUSH CHECK.A2B2-916
THAT POST-WASH BRUSH CHECK.
9:16 · Archive
7.3
H 7.2
V 7.4
P 7.3
Names a brush check but shows scalp massage; the action does not illustrate the headline closely enough. Tall composition preserves the same hierarchy.
THE LAST FEW INCHES. Still feeling rough?A3B3-916
THE LAST FEW INCHES. Still feeling rough?
9:16 · Archive
7.3
H 7.5
V 7.0
P 7.6
Last few inches gives a clear location, but the restrained text is easy to pass over. Tall composition preserves the same hierarchy.
BEFORE THE HAIR TIE A little care for my dry ends.A4B2-45
BEFORE THE HAIR TIE A little care for my dry ends.
4:5 · Archive
7.3
H 6.8
V 7.7
P 7.2
Longer note repeats A4B1 with a less immediate opening; good product still life.
LONGER ROOTS. SHORTER PATIENCE.B3-916
LONGER ROOTS. SHORTER PATIENCE.
9:16 · Archive
7.3
H 7.8
V 7.1
P 7.0
Roots/patience has tension, but the angled banner, footer bar and extra brand tag create competing blocks. Tall composition preserves the same hierarchy.
I MISS MY OLD PONYTAIL.I1-45
I MISS MY OLD PONYTAIL.
4:5 · Archive
7.3
H 8.2
V 7.4
P 6.4
Missing the old ponytail is emotionally clear; dark overlay and absent bottle weaken the path from hair identity to care.
THE LONG-HAIR PLAN? Care for the ends.A1B3-45
THE LONG-HAIR PLAN? Care for the ends.
4:5 · Archive
7.2
H 6.9
V 7.4
P 7.2
Long-hair-plan phrasing is broad; this scene is better used with the specific frayed-ends hook.
BEFORE THE HAIR TIE A little care for my dry ends.A4B2-916
BEFORE THE HAIR TIE A little care for my dry ends.
9:16 · Archive
7.2
H 6.8
V 7.5
P 7.2
Longer note repeats A4B1 with a less immediate opening; good product still life. Tall composition preserves the same hierarchy.
MY DRY-ENDS REMINDER Nourish first. Ponytail second.A4B3-45
MY DRY-ENDS REMINDER Nourish first. Ponytail second.
4:5 · Archive
7.2
H 6.9
V 7.4
P 7.3
Nourish first/ponytail second adds instruction but not much tension; copy competes with the note format.
WHAT’S ACTUALLY IN THIS BOTTLE?A5B2-45
WHAT’S ACTUALLY IN THIS BOTTLE?
4:5 · Archive
7.2
H 6.6
V 7.8
P 7.1
Large clear product and ingredient box; the bottle question is feature-led and low in emotional urgency.
FINALLY. GROWING IT OUT.R1-916
FINALLY. GROWING IT OUT.
9:16 · SELECTED
7.2
H 8.7
V 8.0
P 4.5
Strong short-to-long diary story, different-day wardrobe and pink review hierarchy. Fictional design study: buyer identity, verification and outcome are not customer evidence; no product photo. Tall: Extra space delays the comparison. Retained for the requested before-and-after concept, not ranked as launch-ready proof.
THE ENDS TELL THE STORY.R3-45
THE ENDS TELL THE STORY.
4:5 · SELECTED
7.2
H 8.2
V 8.4
P 4.5
Curl/ends comparison has a believable different-day feel and good lilac/green contrast. Fictional design study; review identity and results are not customer evidence.
LONGER ROOTS. SHORTER PATIENCE.B3-45
LONGER ROOTS. SHORTER PATIENCE.
4:5 · Archive
7.2
H 7.8
V 6.8
P 7.0
Roots/patience has tension, but the angled banner, footer bar and extra brand tag create competing blocks.
I USED TO JUST BRUSH IT.H3-916
I USED TO JUST BRUSH IT.
9:16 · Archive
7.2
H 7.9
V 7.2
P 6.5
Used to just brush it conveys lost ease, but the large angled banner and multiple footer blocks feel pasted on. Tall composition preserves the same hierarchy.
THE LONG-HAIR PLAN? Care for the ends.A1B3-916
THE LONG-HAIR PLAN? Care for the ends.
9:16 · Archive
7.1
H 6.9
V 7.2
P 7.2
Long-hair-plan phrasing is broad; this scene is better used with the specific frayed-ends hook. Tall composition preserves the same hierarchy.
MY DRY-ENDS REMINDER Nourish first. Ponytail second.A4B3-916
MY DRY-ENDS REMINDER Nourish first. Ponytail second.
9:16 · Archive
7.1
H 6.9
V 7.2
P 7.3
Nourish first/ponytail second adds instruction but not much tension; copy competes with the note format. Tall composition preserves the same hierarchy.
WHAT’S ACTUALLY IN THIS BOTTLE?A5B2-916
WHAT’S ACTUALLY IN THIS BOTTLE?
9:16 · Archive
7.1
H 6.6
V 7.6
P 7.1
Large clear product and ingredient box; the bottle question is feature-led and low in emotional urgency. Tall composition preserves the same hierarchy.
I USED TO JUST BRUSH IT.H3-45
I USED TO JUST BRUSH IT.
4:5 · Archive
7.1
H 7.9
V 7.0
P 6.5
Used to just brush it conveys lost ease, but the large angled banner and multiple footer blocks feel pasted on.
THE MIRROR CHECK. AGAIN.I3-916
THE MIRROR CHECK. AGAIN.
9:16 · Archive
7.1
H 8.0
V 6.8
P 6.5
Mirror-check anxiety is visible, but the large tilted pink headline panel covers the action and the footer adds more blocks. Tall composition preserves the same hierarchy.
FRESHLY WASHED. STILL ROUGH?A3A1-45
FRESHLY WASHED. STILL ROUGH?
4:5 · Archive
7.0
H 7.5
V 6.5
P 7.2
Fresh wash/still rough is concrete, but the small centered headline floats above a large blank wall.
BATANA ON THE FRONT. WHAT’S INSIDE?A5B3-45
BATANA ON THE FRONT. WHAT’S INSIDE?
4:5 · Archive
7.0
H 6.3
V 7.5
P 6.9
Front-versus-inside phrasing repeats the label without showing why the ingredient matters to the buyer.
MY PART WAS ALL I COULD SEE.R2-45
MY PART WAS ALL I COULD SEE.
4:5 · SELECTED
7.0
H 8.5
V 8.2
P 4.0
Specific mirror/part insecurity with mint review styling and readable week labels. Fictional design study; the apparent outcome and verified-buyer treatment are not substantiated customer proof.
THE ENDS TELL THE STORY.R3-916
THE ENDS TELL THE STORY.
9:16 · SELECTED
7.0
H 8.2
V 8.0
P 4.5
Curl/ends comparison has a believable different-day feel and good lilac/green contrast. Fictional design study; review identity and results are not customer evidence. Tall: More whitespace than feed; keep as an internal Hair Diary direction.
ROUGH AFTER EVERY WASH?O2-916
ROUGH AFTER EVERY WASH?
9:16 · Archive
7.0
H 8.0
V 6.5
P 6.8
After-every-wash roughness is specific; dense gradient makes the otherwise useful hands-on-ends photo heavy. Tall: Bottle crops against the right edge, weakening product presentation.
THE MIRROR CHECK. AGAIN.I3-45
THE MIRROR CHECK. AGAIN.
4:5 · Archive
7.0
H 8.0
V 6.6
P 6.5
Mirror-check anxiety is visible, but the large tilted pink headline panel covers the action and the footer adds more blocks.
WHEN WASH DAY FEELS LOADED.A2B3-45
WHEN WASH DAY FEELS LOADED.
4:5 · Archive
6.9
H 6.5
V 7.1
P 7.1
Loaded is vague, and the smiling care scene does little to explain the tension.
WHEN WASH DAY FEELS LOADED.A2B3-916
WHEN WASH DAY FEELS LOADED.
9:16 · Archive
6.9
H 6.5
V 7.0
P 7.1
Loaded is vague, and the smiling care scene does little to explain the tension. Tall composition preserves the same hierarchy.
BATANA ON THE FRONT. WHAT’S INSIDE?A5B3-916
BATANA ON THE FRONT. WHAT’S INSIDE?
9:16 · Archive
6.9
H 6.3
V 7.3
P 6.9
Front-versus-inside phrasing repeats the label without showing why the ingredient matters to the buyer. Tall composition preserves the same hierarchy.
MY PART WAS ALL I COULD SEE.R2-916
MY PART WAS ALL I COULD SEE.
9:16 · SELECTED
6.9
H 8.5
V 7.8
P 4.0
Specific mirror/part insecurity with mint review styling and readable week labels. Fictional design study; the apparent outcome and verified-buyer treatment are not substantiated customer proof. Tall: Comparison occupies less of the first screen; subtle visible difference and no bottle limit the product bridge.
THE GROW-OUT FRUSTRATION.A1A3-45
THE GROW-OUT FRUSTRATION.
4:5 · Archive
6.8
H 6.5
V 6.8
P 7.0
Abstract frustration hook; the large gap within the headline breaks the reading rhythm.
FRESHLY WASHED. STILL ROUGH?A3A1-916
FRESHLY WASHED. STILL ROUGH?
9:16 · Archive
6.8
H 7.5
V 6.1
P 7.2
Fresh wash/still rough is concrete, but the small centered headline floats above a large blank wall. Tall composition preserves the same hierarchy.
MISS YOUR FAMILIAR PONYTAIL?A4A1-45
MISS YOUR FAMILIAR PONYTAIL?
4:5 · Archive
6.8
H 6.8
V 7.1
P 6.4
Familiar ponytail wording feels unnatural; implied density concern is only loosely connected to the dry-lengths care step.
THE GROW-OUT FRUSTRATION.A1A3-916
THE GROW-OUT FRUSTRATION.
9:16 · Archive
6.7
H 6.5
V 6.5
P 7.0
Abstract frustration hook; the large gap within the headline breaks the reading rhythm. Tall composition preserves the same hierarchy.
CLEAN HAIR. THIRSTY ENDS.A3A2-45
CLEAN HAIR. THIRSTY ENDS.
4:5 · Archive
6.7
H 6.8
V 6.4
P 7.0
Thirsty ends is less specific than roughness; excessive empty wall separates the hook from the product.
MISS YOUR FAMILIAR PONYTAIL?A4A1-916
MISS YOUR FAMILIAR PONYTAIL?
9:16 · Archive
6.7
H 6.8
V 6.9
P 6.4
Familiar ponytail wording feels unnatural; implied density concern is only loosely connected to the dry-lengths care step. Tall composition preserves the same hierarchy.
SAME HAIR TIE. ROUGHER LENGTHS.A4A2-45
SAME HAIR TIE. ROUGHER LENGTHS.
4:5 · Archive
6.7
H 6.5
V 7.0
P 6.6
The hair tie does not help explain roughness. Pleasant photo and color cannot resolve the weak premise.
ROUGH TO THE TOUCH? REACH FOR RICH CARE.A3A3-45
ROUGH TO THE TOUCH? REACH FOR RICH CARE.
4:5 · Archive
6.6
H 6.9
V 6.1
P 7.0
Long, small headline loses impact; photo action sits too far below it.
SAME HAIR TIE. ROUGHER LENGTHS.A4A2-916
SAME HAIR TIE. ROUGHER LENGTHS.
9:16 · Archive
6.6
H 6.5
V 6.8
P 6.6
The hair tie does not help explain roughness. Pleasant photo and color cannot resolve the weak premise. Tall composition preserves the same hierarchy.
THAT PONYTAIL FEELS DIFFERENT.A4A3-45
THAT PONYTAIL FEELS DIFFERENT.
4:5 · Archive
6.6
H 6.4
V 6.9
P 6.4
Feels different leaves the actual problem unspecified; little reason to move from this photo to Wonder.
Growing it out. Watching it break.W71-R2
Growing it out. Watching it break.
4:5 · Archive
6.6
H 8.2
V 7.3
P 4.0
Different-day ends photos fit a review card, but visible placeholder labels, empty rating stars and no bottle make this unfinished. Fictional study, not customer results.
CLEAN HAIR. THIRSTY ENDS.A3A2-916
CLEAN HAIR. THIRSTY ENDS.
9:16 · Archive
6.5
H 6.8
V 6.0
P 7.0
Thirsty ends is less specific than roughness; excessive empty wall separates the hook from the product. Tall composition preserves the same hierarchy.
ROUGH TO THE TOUCH? REACH FOR RICH CARE.A3A3-916
ROUGH TO THE TOUCH? REACH FOR RICH CARE.
9:16 · Archive
6.5
H 6.9
V 5.9
P 7.0
Long, small headline loses impact; photo action sits too far below it. Tall composition preserves the same hierarchy.
THAT PONYTAIL FEELS DIFFERENT.A4A3-916
THAT PONYTAIL FEELS DIFFERENT.
9:16 · Archive
6.5
H 6.4
V 6.7
P 6.4
Feels different leaves the actual problem unspecified; little reason to move from this photo to Wonder. Tall composition preserves the same hierarchy.
The part you keep checking.W72-R2
The part you keep checking.
4:5 · Archive
6.5
H 8.0
V 7.2
P 4.0
Scalp comparison is clear, but placeholder copy/rating labels interrupt the review illusion. Fictional study without product evidence.
Growing it out. Watching it break.W71
Growing it out. Watching it break.
4:5 · Archive
6.3
H 8.2
V 6.6
P 4.0
Clear split-end comparison but plain document-like header and little product presence. AI illustration is disclosed; not product results.
The part you keep checking.W72
The part you keep checking.
4:5 · Archive
6.2
H 8.0
V 6.5
P 4.0
Part comparison is readable, but generic black typography and no product image make it feel like a draft evidence card. AI study, not results.