AG1 and Seed added from the Meta Ad Library after the Foreplay credit pool ran out. 49 real 1080×1920 ads pulled from Foreplay, measured not assumed. Grouped by structure.
The image is always complete. Every ad in this set is a whole, full-canvas composition — a full-bleed photograph, or a hero object on a colour field that runs edge to edge. Copy and CTA hug the safe middle. Fine print is pinned to the very bottom edge. Some of the image gets covered by platform UI and that is accepted.
What I shipped was a sandwich: a flat dead band, a bar, a masthead, a strip of photograph, another flat dead band. That is not an image with something placed on it — it is an image that has no top and no bottom.
They do not use one template. There are at least eleven distinct structures here. I built a single bar + masthead + photo sandwich and kept patching it for four rounds.
Most have no CTA button at all. Of the 24 I studied closely, roughly four carry a button, and those are small bars or pills low in the frame. My centred purple lozenge resembles nothing in this set.
Nobody leaves a blank safe-zone band. Content runs edge to edge, top and bottom. Fine print sits at the very bottom of the canvas. They accept that platform UI overlays the reserved zones — which is what those zones actually mean.
Product is handled, poured, cropped or occluded — held in a hand, pouring into a glass, standing behind fruit that overlaps its base, or deliberately cut by the frame edge. Never standing untouched in a corner.
Typography mixes within a single headline — roman against italic serif, logo set inline inside a sentence, small-caps attribution, fine-print substantiation beneath a big number.
2x2 or asymmetric panels mixing photograph, flat colour, copy and product. The single most common structure in this set — and one I have never once used.
Full-bleed photograph, type set directly on it. Contrast comes from the photograph’s own tonality, not a scrim.
The quote is the hero. Product is secondary, often partly occluded by foreground ingredients.
A literal iPhone Notes screenshot. No branding, no CTA, no furniture at all.
Product centred on flat or gradient ground, benefit labels radiating around it.
Asymmetric split: editorial copy panel against a photograph bleeding to the edge.
Big claim, then fine-print trial substantiation set small directly beneath.
Named ingredients with one-line functions, then a small CTA bar.
The offer is the whole ad. Logo set inline inside the headline sentence.
Lifestyle photo with a diagram overlaid, labels radiating from the product.
Quote in a speech-bubble device with stars, product in use beside it.
Founder portrait, product staged on the surface in front.
Remaining ads in the pull.
Full-bleed lifestyle photography or a complete designed flat-lay. Copy overlaid low-middle in italic serif, or in a small white caption card styled like an Instagram text sticker. Green highlighter marker used as a real emphasis device. CTA pills are tiny and often absent.
























Complete edge-to-edge compositions. Small-caps eyebrow, headline top, product centred, fine print pinned to the very bottom edge, logo small in a corner. Split-screen comparisons. Price strikethrough as a design element. CTA pills small and rare.























